Portal:Sangam period

Introduction

Sculpture of the Ancient Tamil Siddhar Agastyar who is traditionally believed to have chaired the first Tamil Sangam in Madurai

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Cāṉṟōr ceyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition and legends link it to three legendary literary gatherings around Madurai and Kapāṭapuram: the first lasted over 4,440 years, the second over 3,700 years, and the third over 1,850 years. Scholars consider this Tamil tradition-based chronology as ahistorical and mythical. Most scholars suggest the historical Sangam literature era, also called the Sangam period, spanned from c. 300 BCE to 300 CE, while others variously place this early classical Tamil literature period a bit later and more narrowly but all before 300 CE. According to Kamil Zvelebil, a Tamil literature and history scholar, the most acceptable range for the Sangam literature is 100 BCE to 250 CE, based on the linguistic, prosodic and quasi-historic allusions within the texts and the colophons.

The Sangam literature had fallen into oblivion for much of the second millennium of the common era, but were preserved by and rediscovered in the monasteries of Hinduism, near Kumbakonam, by colonial-era scholars in the late nineteenth century. The rediscovered Sangam classical collection is largely a bardic corpus. It comprises an Urtext of oldest surviving Tamil grammar (Tolkappiyam), the Ettuttokai anthology (the "Eight Collections"), the Pathuppaattu anthology (the "Ten Songs"). The Tamil literature that followed the Sangam period – that is, after c. 250 CE but before c. 600 CE – is generally called the "post-Sangam" literature.

This collection contains 2381 poems in Tamil composed by 473 poets, some 102 anonymous. Of these, 16 poets account for about 50% of the known Sangam literature, with Kapilar – the most prolific poet – alone contributing just little less than 10% of the entire corpus. These poems vary between 3 and 782 lines long. The bardic poetry of the Sangam era is largely about love (akam) and war (puram), with the exception of the shorter poems such as in Paripaatal which is more religious and praise Vishnu and Murugan. The Sangam literature also includes Buddhist and Jainist epics.

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Selected general article

The Chera dynasty (or Cēra, IPA: [t͡ʃeːɾɐr]), was a Sangam age Tamil dynasty which unified various regions of the western coast and western ghats in southern India to form the early Chera empire. The dynasty, known as one of the Three Crowned Kings of Tamilakam alongside the Chola and Pandya, has been documented as early as the 4th to 3rd centuries BCE. Their governance extended over diverse territories until the 12th century CE.

The Chera country was geographically well placed to profit from maritime trade via the extensive Indian Ocean networks. Exchange of spices, especially black pepper, with Middle Eastern and Graeco-Roman merchants are attested in several sources. The Cheras of the early historical period (c. second century BCE – c. third century CE) are known to have had their original centre at Kuttanad in Kerala, and harbours at Muchiri (Muziris) and Thondi (Tyndis) on the Indian Ocean coast (Kerala) and Kongunadu. They governed the area of Malabar Coast between Alappuzha in the south to Kasaragod in the north. The region around Coimbatore was ruled by the Cheras during the Sangam period between c. 1st and the 4th centuries CE and it served as the eastern entrance to the Palakkad Gap, the principal trade route between the Malabar Coast and Tamil Nadu. However the southern region of the present-day Kerala state (The coastal belt between Thiruvananthapuram and southern Alappuzha) was under Ay dynasty, who was more related to the Pandya dynasty of Madurai.

The early historic pre-Pallava polities are often described as a "kinship-based redistributive economies" largely shaped by "pastoral-cum-agrarian subsistence" and "predatory politics". Old Tamil Brahmi cave label inscriptions, describe Ilam Kadungo, son of Perum Kadungo, and the grandson of Ko Athan Cheral of the Irumporai clan. Inscribed portrait coins with Brahmi legends give a number of Chera names, with the Chera symbols of the bow and the arrow depicted in the reverse. The anthologies of early Sangham texts are a major source of information about the early Cheras. Cenguttuvan, or the good Chera, is famous for the traditions surrounding Kannaki, the principal female character of the Sangam epic poem Cilappatikaram. After the end of the early historical period, around the 3rd-5th century CE, there seems to be a period where the Cheras' power declined considerably. (Full article...)

Selected Sangam literature article

The Purananuru (Tamil: புறநானூறு, Puṟanāṉūṟu, literally "four hundred [poems] in the genre puram"), sometimes called Puram or Purappattu, is a classical Tamil poetic work and traditionally the last of the Eight Anthologies (Ettuthokai) in the Sangam literature. It is a collection of 400 heroic poems about kings, wars and public life, of which two are lost and a few have survived into the modern age in fragments. The collected poems were composed by 157 poets, of which 14 were anonymous and at least 10 were women. This anthology has been variously dated between 1st century BCE and 5th century CE, with Kamil Zvelebil, a Tamil literature scholar, dating predominantly all of the poems of Purananuru sometime between 2nd and 5th century CE. Nevertheless, few poems are dated to the period of 1st century BCE.

The Purananuru anthology is diverse. Of its 400 poems, 138 praise 43 kings – 18 from the Chera dynasty (present-day Kerala), 13 Chola dynasty kings, and 12 Early Pandya dynasty kings. Another 141 poems praise 48 chieftains. These panegyric poems recite their heroic deeds, as well as another 109 poems that recount deeds of anonymous heroes, likely of older Tamil oral tradition. Some of the poems are gnomic in nature, which have attracted unrealistic attempts to read an ethical message, states Zvelebil. The poetry largely focuses on war, means of war such as horses, heroic deeds, widowhood, hardships, impermanence, and other effects of wars between kingdoms based along the rivers Kaveri, Periyar and Vaigai.

The Purananuru is the most important Tamil corpus of Sangam era courtly poems, and it has been a source of information on the political and social history of ancient Tamil Nadu. According to Hart and Heifetz, the Purananuru provides a view of the Tamil society before large-scale Indo-Aryan influences affected it. The life of the Tamils of this era revolved around the king, emphasized the purity of women and placed limitations on the rights of widows. Further, the compilation suggests that the ancient Tamils had a caste system called kuti. The anthology is almost entirely a secular treatise on the ancient Tamil thought on kingship, the constant state of wars within old Tamil-speaking regions, the bravery of heroes and the ferocious nature of this violence. According to Amritha Shenoy, the Purananuru poems eulogize war and describe "loyalty, courage, honor" as the virtues of warriors. In contrast, Sivaraja Pillai cautions that the historical and literary value of Purananuru poems may be limited because the poems were not a perfect work of art but one of compulsion from impoverished poets too eager to praise one king or another, seeking patrons through exaggeration and flattery rather than objectivity. (Full article...)

Selected images

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  A map of Tamil Kingdoms in 300 AD.
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  Paliyam copper‍ plates
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  Effigy of Athancode Asan, a poet of the Sangam period
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  Sangam age paintings found near Palani in Tamil Nadu.
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  The garbagriha of the Subrahmanya Temple, Saluvankuppam. The larger bricks on the bottom date from the Sangam period.
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  A drawing of the Sangam landscape, or thinai, a poetic device in classical Sangam love poetry which assigns different modes in poems to various landscapes.

Selected biography

Nedunjeliyan I (r.  c. 270 BCE) (Tamil: நெடுஞ்செழியன்) was a Pandya king. He earned the legendary title of Arya Padai Kadantha Nedunchezhiyan, signifying his triumphant conquest over the Aryan Army. (Full article...)

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Sangam period

Sangam literature

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