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  • Image 23 Manderston House, built in the early twentieth century and one of the last major estate houses built in Scotland Estate houses in Scotland or Scottish country houses, are large houses usually on landed estates in Scotland. They were built from the sixteenth century, after defensive castles began to be replaced by more comfortable residences for royalty, nobility and local lairds. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with Linlithgow, under the influence of Renaissance architecture. In the 1560s the unique Scottish style of the Scots baronial emerged, which combined features from medieval castles, tower houses, and peel towers with Renaissance plans, in houses designed primarily for residence rather than defence. After the Restoration (1660) the work of architect Sir William Bruce introduced to Scotland a new phase of classicising architecture, in the shape of royal palaces and estate houses incorporating elements of the Palladian style. In the eighteenth century Scotland produced some of the most important British architects, including the neo-Palladian William Adam and his innovative son Robert Adam, who rejected the Palladian style and was one of the European initiators of neoclassical architecture, embodied in a series of estate houses in Scotland and England. The incorporation of "Gothick" elements of medieval architecture by William Adam helped launch a revival of the Scots baronial in the nineteenth century, given popularity by its use at Walter Scott's Abbotsford House and Queen Victoria's retreat at Balmoral Castle. In the twentieth century the building of estate houses declined as the influence of the aristocracy waned, and many were taken over by the National Trust for Scotland and Historic Scotland. (Full article...)
    Manderston House, built in the early twentieth century and one of the last major estate houses built in Scotland

    Estate houses in Scotland or Scottish country houses, are large houses usually on landed estates in Scotland. They were built from the sixteenth century, after defensive castles began to be replaced by more comfortable residences for royalty, nobility and local lairds. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with Linlithgow, under the influence of Renaissance architecture. In the 1560s the unique Scottish style of the Scots baronial emerged, which combined features from medieval castles, tower houses, and peel towers with Renaissance plans, in houses designed primarily for residence rather than defence.

    After the Restoration (1660) the work of architect Sir William Bruce introduced to Scotland a new phase of classicising architecture, in the shape of royal palaces and estate houses incorporating elements of the Palladian style. In the eighteenth century Scotland produced some of the most important British architects, including the neo-Palladian William Adam and his innovative son Robert Adam, who rejected the Palladian style and was one of the European initiators of neoclassical architecture, embodied in a series of estate houses in Scotland and England. The incorporation of "Gothick" elements of medieval architecture by William Adam helped launch a revival of the Scots baronial in the nineteenth century, given popularity by its use at Walter Scott's Abbotsford House and Queen Victoria's retreat at Balmoral Castle. In the twentieth century the building of estate houses declined as the influence of the aristocracy waned, and many were taken over by the National Trust for Scotland and Historic Scotland. (Full article...)
  • Image 24 Mingulay (Scottish Gaelic: Miughalaigh) is the second largest of the Bishop's Isles in the Outer Hebrides of Scotland. Located 12 nautical miles (22 kilometres) south of Barra, it is known for an extensive Gaelic oral tradition incorporating folklore, song and stories and its important seabird populations, including puffins, black-legged kittiwakes, and razorbills, which nest in the sea-cliffs, amongst the highest in the British Isles. There are Iron Age remains, and the culture of the island was influenced by early Christianity and the Vikings. Between the 15th and 19th centuries Mingulay was part of the lands of Clan MacNeil of Barra, but subsequently suffered at the hands of absentee landlords. (Full article...)
    Mingulay (Scottish Gaelic: Miughalaigh) is the second largest of the Bishop's Isles in the Outer Hebrides of Scotland. Located 12 nautical miles (22 kilometres) south of Barra, it is known for an extensive Gaelic oral tradition incorporating folklore, song and stories and its important seabird populations, including puffins, black-legged kittiwakes, and razorbills, which nest in the sea-cliffs, amongst the highest in the British Isles.

    There are Iron Age remains, and the culture of the island was influenced by early Christianity and the Vikings. Between the 15th and 19th centuries Mingulay was part of the lands of Clan MacNeil of Barra, but subsequently suffered at the hands of absentee landlords. (Full article...)
  • Image 25 Alexander Buchan (died 17 April 1769) was a Scottish landscape artist. He is known for his participation in the 1768–1771 first voyage of James Cook aboard HMS Endeavour, where he was one of the artists in the entourage of botanist Joseph Banks. Buchan had epilepsy. On the journey, he had two documented seizures, the first during an expedition in Tierra del Fuego. Buchan died after the second seizure, shortly after Endeavour's arrival at Tahiti, and was buried at sea. Buchan produced landscapes, coastal views, ethnographic drawings and natural history drawings. He is best known for illustrations of the people of Tierra del Fuego, some of which were engraved for publication in accounts of the voyage. All of his drawings from the voyage were taken by his employer Joseph Banks and are now in the British Library and the Natural History Museum, London. (Full article...)
    Alexander Buchan (died 17 April 1769) was a Scottish landscape artist. He is known for his participation in the 1768–1771 first voyage of James Cook aboard HMS Endeavour, where he was one of the artists in the entourage of botanist Joseph Banks. Buchan had epilepsy. On the journey, he had two documented seizures, the first during an expedition in Tierra del Fuego. Buchan died after the second seizure, shortly after Endeavour's arrival at Tahiti, and was buried at sea. Buchan produced landscapes, coastal views, ethnographic drawings and natural history drawings. He is best known for illustrations of the people of Tierra del Fuego, some of which were engraved for publication in accounts of the voyage. All of his drawings from the voyage were taken by his employer Joseph Banks and are now in the British Library and the Natural History Museum, London. (Full article...)