Carlo Bianconi
Appearance
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/30/Pgr_Crespellano_-_Villa_Bianconi_Rusconi_Bassi.jpg/220px-Pgr_Crespellano_-_Villa_Bianconi_Rusconi_Bassi.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Drawing_of_a_Decorated_Coat_of_Arms_surrounded_by_Books%2C_Owl%2C_Leaves%2C_Vase_and_a_Snake_MET_DP808008.jpg/220px-Drawing_of_a_Decorated_Coat_of_Arms_surrounded_by_Books%2C_Owl%2C_Leaves%2C_Vase_and_a_Snake_MET_DP808008.jpg)
Carlo Bianconi (1732 – August 15, 1802) was an Italian painter, engraver, and architect.
Biography[edit]
He trained in Bologna with Ercole Graziani the Younger in Bologna. He created many engravings of antiquities. In Bologna, he worked with Mauro Tesi in designing a monument to their patron, Count Francesco Algarotti.[1]
He was a member of the Accademia Clementina, but moved to Milan in 1778 and became secretary of the Brera Academy for twenty years.[2] he had helped edit Malvasia's guide to Bologna. In 1787, he published a Guide to Arts and Antiquities in Milan.[3] He died in Milan.
His brother Giovanni Ludovico Bianconi, was a neoclassical doctor, art historian, and antiquarian, who was a close friend of Winckelmann.
References[edit]
- ^ The Metropolitan Museum: Architectural and Ornament Drawings: Juvarra, Vanvitelli, the Bibiena Family by Mary L Myers (1975).
- ^ Memorie originali italiane risguardanti le belle arti, Volume 1, 1846, by Michelangelo Gualandi, M.G., page 74.
- ^ Nuova guida di Milano, by Carlo Bianconi Stamperia Sirtoni, Milan (1787).
Note[edit]
- Myers claims Giovanni Ludovico was Carlo's father. Carlo Bianconi does not appear to be closely related to Charles Bianconi.
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