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Doha Corniche

Coordinates: 25°17′29″N 51°32′14″E / 25.29139°N 51.53722°E / 25.29139; 51.53722
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Doha Corniche
View of the Doha Corniche
LocationDoha, Qatar
AddressCorniche Street, Doha, Qatar
StatusComplete
Groundbreaking1969
Estimated completionVarious phases
UsePublic promenade, recreation, tourism
Companies
ArchitectWilliam Pereira, Kenzō Tange, Triad Cico, Georges Candilis, and others
DeveloperTechnical Office of the Amiri Diwan
OwnerState of Qatar
PlannerHisham Qaddumi, Urban Planning Office of the Amiri Diwan
Technical details
BuildingsMinistry Complex, Sheraton Grand Doha Resort & Convention Hotel, Museum of Islamic Art, and others
SizeApproximately 7 kilometers in length

The Doha Corniche (Arabic: كورنيش الدوحة) is a waterfront promenade and dual carriageway extending for seven kilometres (4.3 mi) along the crescent-shaped Doha Bay in Qatar's capital city, Doha.[1] Public celebrations of national holidays and many religious, civic and sporting events such as Qatar National Day and National Sports Day are centered on the Doha Corniche.[2][3] It is one of the most popular tourist and leisure attractions within Qatar.[4]

A lush, semi-circular linear public space, the Corniche links the modern central business district of Al Dafna in the north to the historic sections of old Doha in the south. It serves as a route for vehicular and pedestrian traffic, a continuous strip of open space, and a symbol of Doha's modernization.[5]

Description[edit]

The promenade overlooking Doha Bay

Wrapping around Doha Bay, the Corniche comprises a seafront promenade and dual carriageway extending for seven kilometers from the West Bay area's Sheraton Hotel in the north to the Al Khulaifat district's Doha Club Park in the south, passing Doha Port and its facilities.[6]

Peripheral parking areas near the Corniche allow visitors to park their vehicles and reach the waterfront via shuttles or pedestrian pathways, such as the Corniche's many underpasses.[7] Seven of the 37 stations of the Doha Metro are near the Corniche.[8]

The Corniche's southern end provides access to Doha's oldest districts—Al Jasrah and Msheireb—and the Souq Waqif marketplace, all among the country's preeminent cultural sites. The area is also among the country's most heavily-trafficked and congested. Souq Waqif sat along the coastline until land reclamation during the Corniche's construction shifted the coastline eastward.[9]

There are three main areas of the Corniche: the Corniche Park and Promenade, Corniche Street, and the Government zone.[10] Corniche Street is a divided highway that connects Doha's Al Dafna business district with the south of the city and Doha International Airport.[6] The Government zone, which commands a view of the bay, is home to administrative buildings such as the Amiri Diwan.[10]

By placing contemporary institutional buildings along the coastline, instead of in the city's historical section, the Qatari government enhanced its architectural profile, presenting itself as a modern, independent entity while creating a physical separation from the traditional urban landscape.[11]

The Corniche also connects the mainland to a three-kilometer island created in 2008 for the Museum of Islamic Art and nearby development.[12]

History[edit]

View of Amiri Diwan from the Corniche Promenade
Doha Corniche with the Doha Skyline in the background
General view of Corniche Street at its southern end

Foundations[edit]

Land reclamation projects of Doha's Corniche were first carried out by the government in the late 1960s to construct the Amiri Diwan (house of government) on a site west of Souq Waqif. In 1969, the Amiri Diwan complex broke ground; it would be followed by the headquarters for the Qatar National Bank and Ministry of Foreign Affairs.[13]

In the early 1970s, the transformation of the Corniche was driven by the establishment of a central government and the burgeoning oil industry under Sheikh Khalifa bin Hamad Al Thani. Following Qatar's independence in 1971, Doha's urban landscape shifted significantly, with the Corniche emerging as a prime site for large-scale investments to modernize the city and enhance the state's reputation through nation branding, using modernist aesthetics to project its soft power.[5] The first formal national development plan, introduced in 1972, outlined land reclamation along the Corniche for urban development as a priority.[14]

Urban planning and bureaucratization[edit]

Under Sheikh Khalifa's leadership, a formal institutional framework was established, distributing urban planning responsibilities among specialized branches of the expanding bureaucracy. Two primary ministries, The Ministry of Municipal Affairs and Agriculture and the Ministry of Public Works, oversaw the Corniche's development, aiming to depict Doha as a "Modern City Centre".[15]

Urban schemes for the Corniche were integral to the state's broader bureaucratization and oil resource exploitation. The development involved collaboration among various ministries, local stakeholders, foreign architects, and urban planners. Despite some resistance to Western urban models, the Amiri Diwan played a key role in high-profile projects along the Corniche, overseeing land reclamation throughout the 1970s and 1980s.[16]

The Urban Planning Office of the Amiri Diwan, led by Hisham Qaddumi, was primarily responsible for major urban projects. Qaddumi, founder of Arab Architects in Jordan, served as the planning and development advisor at the Amiri Diwan from 1974 to 1987, overseeing the design and construction along the Corniche.[17]

Influenced by the work of American architect William Pereira, Qaddumi commissioned Pereira to design the Sheraton Grand Doha Resort & Convention Hotel and other significant landmarks along the Corniche. Upon Pereira's arrival in Doha in 1975, he and Qaddumi collaborated closely on planning the Corniche, aiming to purify nearby water, complete the Corniche's semicircular sweep, and increase land availability for development. They produced over 40 sketches, identifying key locations for landmarks such as the Sheraton and a national university.[18]

Pereira proposed positioning the Sheraton Hotel at the southern end of the Corniche and a national university on the northern periphery to promote urban expansion. He also suggested erecting two prominent buildings near the port's southern entrance to signify the waterfront promenade's beginning and end. His sketches envisioned the Corniche's development as vital for the city's growth and connectivity. The Corniche road was designed to include five roundabouts, each linking to adjacent neighborhoods and extending to prospective developments on the city's outskirts.[19]

Rapid development[edit]

The Corniche underwent significant urbanization in the 1980s. The project's primary goals included creating a crucial transportation route and establishing a Ministry Complex. Qaddumi coordinated the planning, aligning Sheikh Khalifa bin Hamad's vision with modern architectural practices.[19] The first developmental plan for Doha, which included land reclamation of 630 hectares (6.3 km2), was completed in the late 1970s.[20]

Sheraton Grand Doha Resort & Convention Hotel

The Sheraton Hotel, built on a specially created island formed from reclaimed land, was inaugurated on 22 February 1982 in a ceremony attended by Qatar's ruler, Sheikh Khalifa bin Hamad Al Thani, and aired on national television. Contrasting sharply with the governmental buildings, its construction involved advanced techniques, and its grand atrium, known as 'the majlis,' served as a social gathering space. The Sheraton was widely recognized as a symbol of the Corniche's development.[21] It also catalyzed the creation of a new central business district called Al Dafna, also built on dredged land, in the 1980s.[5]

During the Sheraton Hotel's construction, a brief for the Ministry Complex was distributed to several international architects engaged in the Persian Gulf region. These briefs highlighted the need for institutional and governmental buildings with a modern, formal architectural style. Qaddumi directed these architects, outlining the project's scope, opportunities, and constraints, while emphasizing the incorporation of cultural elements into the design.[22]

Various proposals for the Corniche interpreted the Ministry Complex differently, employing diverse modern aesthetics. In October 1976, Kenzō Tange submitted a proposal to the Amiri Diwan's technical office. Tange's design systematically addressed the ministries' operations and functions by consulting with ministry representatives. His solution involved a modular system with plazas and enclosed pedestrian walkways, offering flexibility for future facilities, reorganization, and expansions. Tange recognized the Corniche as "the ceremonial boulevard serving the Government Centre".[22]

Qatar National Theater interior

Due to insufficient funds, the state could not execute Tange's ambitious proposal. Instead, the Ministry Complex was realized through contributions from various international architects invited by Qaddumi, reflecting the use of architecture to assert Qatar's state sovereignty.[22] The Ministry of Finance was designed by Kenzō Tange, while Triad Cico designed both the Ministry of Information and Communication Technology and the Qatar National Theater in 1982.[23]

In 1988, the Central Post Office for Qatar Post in Doha was built on the Corniche,[24] though it had been planned to open two years earlier.[25] Considered a good example of brutalist architecture and a prominent local landmark, Twist Whitley Architects and ComConsult designed it with semi-monocoque structures supporting its tapered roofs, mimicking traditional message delivery methods.[26] Additionally, Georges Candilis designed two housing projects for international staff, one of which was behind the Central Post Office, which Qaddumi noted would pose future problems due to its rapid, modular design. It was demolished in 2003. [22]

Further proposals and projects[edit]

Qatar Post Office

Distinct yet connected to Doha's broader urban landscape, the Corniche became a site for architectural innovation.[21] Strategically aligned along the Corniche's arc, the Ministry Complex and Amiri Diwan were prominent features, in addition to the Sheraton Hotel at the northern end.[21] In 1988, the government contracted Sir Alexander Gibb & Partners as the consulting engineer for an $8 million project to construct promenades and parks.[27]

The Corniche's development was significantly influenced by the 1995 Qatari coup d'état and Hamad bin Khalifa Al Thani's ascension, alongside Qatar's economic reorientation towards expanding Doha. This shift led to an investment of over $130 billion in the city's architecture. The construction of malls, skyscrapers, gated residential communities, iconic museums, and new sports facilities exemplified the resulting urban and real estate boom.[28]

In 1997, the Aga Khan Trust for Culture announced an architectural competition to design a Museum for Islamic Arts opposite the Sheraton, in coordination with the urban planning ministry. Among the proposals was the Tower of Doha by Pereira, planned for the Corniche's southern edge, featuring a terraced landscape extending into the sea, with a circulation core supporting the suspended structure housing an observation deck, plant conservatory, eatery, and museum. Another significant proposal was the Qatar National Library, proposed by Arata Isozaki, characterized by suspended terraced slabs and three supporting piers, intended to be the Corniche's second-largest building. Adjacent to the library, two other notable projects were planned: a theatre space by Isozaki featuring a prominent pristine sphere floating above ground, and an exhibition space designed by Zaha Hadid.[29]

Although these projects were unrealized due to insufficient funding and decreased oil production in the early 1990s, they reveal various visions for the Corniche and different development stages at the intersection of nation-building and architectural innovation.[29]

21st century[edit]

In 2003, another competition by the Aga Khan Trust in collaboration with the government aimed to design an International Arts and Culture Centre, focusing on innovative landscape design for the Corniche promenade. The competition highlighted the importance of institutional buildings in Doha's modernist landscape. Finalists included Kamel Louafi, Martha Schwartz Partners, Patrick Berger, Jean Nouvel, and Zaha Hadid, but no winner was selected, and the project remains unrealized.[30]

The Museum of Islamic Art, Doha was opened on the Corniche in December 2008, being designed by Chinese-American arcthiect I. M. Pei after being given free reign by then-emir Hamad bin Khalifa Al Thani.[31] Originally, several sites for the Museum running directly along the Corniche were proposed, though these were rejected by Pei. Instead, he stipulated that the museum sit upon its own man-made island situated 195 feet from the Corniche, in order to preserve its status as a unique, stand-alone landmark. Adjacent to the park is the MIA Park, occupying an area of 64 acres (0.26 km2).[32]

In April 2019, the National Museum of Qatar (NMOQ), designed by French architect Jean Nouvel, opened its doors to the public on the Corniche's southern extremity.[33] Occupying an area of 1.5 million square feet, it was built in place of the previous museum, which was opened in 1975 in the abandoned Old Amiri Palace.[34] The NMOQ is separated from the Corniche Promenade by an artificial lagoon, enhanced by fountain sculptures created by artist Jean-Michel Othoniel which are inspired by the forms of Arabic calligraphy.[35]

Ashghal (The Public Works Authority) launched the Doha Corniche Development Project in October 2017.[36] The project included the creation of four open exhibition spaces featuring artwork that reflects Qatari heritage. Additionally, pedestrian and cycling infrastructure was improved by constructing tunnels to safely connect the downtown to the promenade and cycling paths on Corniche Street. The façades of buildings and public art installations were also renovated, and facilities were added to several of the Corniche's beaches. Basic infrastructure, such as road networks and sewage and drainage networks, was overhauled as part of the project.[37]

Monuments and art installations[edit]

A public art installation on the Corniche

Several monuments and art installations adorn the Corniche's promenade, some of which have been installed to commemorate certain events.[38] One of the best-known examples of commemorative art is the Orry the Oryx Sculpture, a 30-ft tall sculpture erected for the 2006 Asian Games. Retrofitted with a fresh color scheme after the tournament ended, the sculpture depicts the tournament's Arabian oryx mascot.[39] After years of deterioration due to exposure to the elements, the Public Works Authority restored the sculpture in 2018.[40]

Previously, roundabouts along the Corniche, now replaced by traffic signals, acted as notable cityscape markers in Doha. These roundabouts often housed public art, predominantly sculptures, at their center. These sculptures depicted enlarged or stylized representations of Qatar’s historical heritage, such as Bedouin coffee pots and abstract patterns of Qatari fabrics, alongside symbols of Qatar’s modern global identity, like a globe monument representing Qatar's affiliation with the Gulf Cooperation Council.[41]

The Pearl Monument

The Pearl Monument, shaped like a shell enclosing a pearl, is located at the entrance of Doha Port and stands as one of the most visited landmarks on the Doha Corniche. It symbolizes Qatar's historic reliance on pearl fishing.[38] The 80-ft tall sculpture '7', designed by Richard Serra, was unveiled at the Museum of Islamic Art Park in 2011.[42]

The Calligraphy Statue, inaugurated on the Corniche in 2013 for Qatar National Day, is a monumental piece of art inspired by a poem by Sheikh Jassim bin Mohammed Al Thani, the founder of the State of Qatar.[43] Created by British calligraphy artist Sabah Arbilli, the sculpture measures 7.5 meters high, including its base, and is crafted from stainless steel. The design features Arabic calligraphy, with individual letters arranged to form the verse: "And amongst the sultans I stood out; as a lanneret floating over mountain peaks." This piece marks the first public sculpture to incorporate the poetry of Sheikh Jassim and represents Arbilli's first major public work.[44]

In 2022, as part of the first phase of the Doha Corniche Development Project, several public art pieces were installed and exhibited on the Doha Corniche in four designated spaces. One such work was The Dugong Sculpture, a towering public art piece installed at the Corniche in October 2022. Created by American artist Jeff Koons, the sculpture is made of polished stainless steel and features a dugong, a marine mammal also known as a "sea cow", riding on an ocean wave and surrounded by seagrass. The artwork measures 21 meters high and 31 meters wide and is displayed at Al Masrah Park, adjacent to the Post Office.[45]

Events and festivals[edit]

The fireworks show at the Corniche during the 2012 Qatar National Day

Several religious holidays are publically celebrated at the Corniche.[41] The inaugural Eid Al-Fitr Festival, organized by Qatar Tourism, was launched on 4 May 2022 and lasted for three days. Celebrations were held on the Corniche and featured performances from Qatari and Arab musicians. It is estimated that about 10,000 to 15,000 spectators attended the festivities each day.[8]

Civic holidays such as the main parade of the annual Qatar National Day take place on the Corniche.[46] Visits from foreign diplomats also take place on the Corniche, with traffic being restricted during such events.[41]

Celebrations of major sports events such as the 2006 Asian Games often take place on the Corniche.[6] During the 2022 FIFA World Cup hosted in Qatar, the Corniche was transformed into a venue for live performances. To ensure pedestrian safety, vehicle access to the Corniche area was restricted. As part of the Doha Corniche Development Project, intended to prepare the city for World Cup festivities, the road system was upgraded, and the waterfront was adorned with 1,440 palm frond-shaped lighting poles, representing Qatari heritage. Pedestrian underpasses and plazas were constructed to facilitate movement, and four spaces for open-air art exhibitions were designated.[47]

Significant landscaping efforts were undertaken for the World Cup, with over 137,000 square meters of new green areas being planted, including 940 trees and 920 palm trees. Three dhow boat docks were completed at Al Bidda Park, Al Dafna Park, and Sheraton Park, using sustainable materials suitable for water and land conditions. Dhow tours were offered to tourists from these docks. The Corniche also hosted numerous entertainment and cultural activities during the World Cup, including giant display screens for live match broadcasts, fan zones, musical festivals, cultural events, and international street fairs. Al Bidda Park was the site of the FIFA Fan Festival, featuring match broadcasts, performances, and cultural activities.[47]

Landscaping[edit]

One of the Corniche's many fountains

The Corniche road features a six-lane avenue bordered by palm trees, flower beds, and sculptures that reflect Arab cultural motifs.[41] Strategically placed trees, primarily date palms, provide much-needed shade along pedestrian pathways and seating areas, helping to mitigate the effects of direct sunlight.[12] However, many areas of the promenade and parks are unprotected from the sun.[48]

Fountains are incorporated into the landscape design to enhance the sense of tranquility in the public space. Soft landscaping elements, including grassy areas and flower beds, are very common at the Corniche. Irrigation systems in pedestrian-trafficked use fresh water, a choice driven by the need to maintain hygienic conditions for the children who utilize the lawn turf.[49] However, recycled water from sewage effluent is used for vegetation surrounding roadway medians and roundabouts.[50] Significant water loss occurs during the hot months due to evaporation. Desert shrubs and drought-resistant grasses are commonly planted to minimize water consumption and maintain greenery throughout the year.[49]

Recreation[edit]

People socializing under the shade on the Corniche

The Corniche Promenade and Park serves as a central hub for recreation and social activities in Doha, drawing a diverse array of visitors throughout the day. In the early morning, expatriate joggers, and walkers and cyclists frequent the Corniche, taking advantage of the cooler temperatures and scenic views. At midday, construction workers from the nearby West Bay business district seek shade and a place to rest, while in the evenings and weekends, families gather to socialize and have picnics. The Corniche's open and accessible design makes it an inclusive space for all social classes.[51] There are several parks on the Corniche, but as green spaces were not included as part of the Corniche's original master plan, they suffer from connectivity and accessibility issues.[48]

Beaches[edit]

Colorful sheds at Doha Beach Sands Club
  • Doha Beach Sands Club's primary feature is the clear waters of the Persian Gulf, which are suitable for swimming, snorkeling, and wading. There are beach football and volleyball courts, as well as tables for teqball. The beach club also includes self-service food outlets housed in colorful sheds.[52]
  • Ras Abu Aboud Beach is one of the Corniche's main attractions and underwent a development project launched by Ashghal in 2020 and completed in 2021. Spanning approximately 260,000 square meters and stretching 2.2 kilometers, the project included a designated area for sports and a 2.6-kilometer pedestrian and cycling path. To improve the environment and aesthetics, 11,500 square meters of landscaping have been planted, along with 469 trees. The project also included the construction of four service areas with restaurants, cafes, toilets, seating areas, umbrellas, and beach showers.[53]
  • West Bay Beach is located in the central business area of West Bay. provides a comprehensive seaside experience with diverse facilities and attractions. Key features include an outdoor cinema, volleyball court, food area with international cuisine, children's playground, and prayer rooms.[54]

Parks[edit]

Al Bidda Park
  • Al Bidda Park is one of the oldest and most visited parks in Doha, consisting of three sections overlooking the Corniche. The park spans 1,745,000 square meters and is divided into three zones: Rumeilah, Al Bidda, and Wadi Al Sail.[55] It is one of the areas used for birdwatching.[56] The park includes a children's playground, small shops, the Cultural Village, and a cultural heritage center.[57]
  • Al Dafna Park (also known as Sheraton Park), created in 1990 near the Sheraton Hotel, spans an area of 93,297 square meters and is one of Doha's most significant public parks. Designed with a naturalistic approach, the park predominantly features expansive green areas, featuring various tree species, including palm trees, neem, Persian silk trees, and olive trees, as well as an array of ornamental shrubs and seasonal flowers. There is also a playground and a restaurant area.[58]
  • Al Masrah Park (also known as Umbrella Park) is strategically situated with Qatar Post to the north, Qatar National Theater to the south, Corniche Street to the east, and Majlis Al Taawon Street to the west. The park’s name, "Al Masrah", was selected to honor its proximity to the Qatar National Theater. The park serves as a key connection point between the eastern side of Corniche Street and Council Street, facilitated by a tunnel and a metro station located at its center. Covering an area of 108,000 square meters, Al Masrah Park features approximately 64,000 square meters of grass and hosts 850 trees comprising 16 different local and international species. Its design is influenced by its surroundings, featuring sharp lines and right angles to complement the adjacent streets and structures. A central axis connects the two main facades of the park, with pathways extending to various sections of the park. The park is divided into three main sections: Entertainment areas, which include restaurants and kiosks; sports areas, which features pedestrian, jogging, and cycling paths made from recycled rubber and local Qatari materials; and green areas, which consist of shaded and non-shaded spaces and grassed hills.[59]
  • Museum of Islamic Art Park (MIA Park) is a park attached to the Museum of Islamic Art covering an area of nearly 70 acres (0.28 km2). It was created through in 2008 land reclamation, resulting in a curved pier at its end. This pier is decorated with palm trees and includes a landscaped peninsula featuring grass-covered, undulating hills, offering vistas of Doha Bay and its skyline. The art work '7' is the park's centerpiece.[60]

Nearby landmarks[edit]

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25°17′29″N 51°32′14″E / 25.29139°N 51.53722°E / 25.29139; 51.53722